The rear possesses an effects loop – a port that allows both the channel and reverb footswitch. Their focus and efforts went into creating the standard two-channel layout sound as perfect as they possibly could. With one-hundred and twenty watts of power, you can expect quite the emphatic eruption. In regards to the features of this lovely piece of equipment, the Crush Pro comes in the standard Orange headbox, as you’d expect. Let’s delve into a little more detail, shall we? View Price With one of their latest products off the line, the Crush Pro CR120H, we’re looking at one of the soundest choices you’re likely to find in terms of amplifier heads. They know how to make some of the best contemporary models around, but can also offer up solid-state designs, too. When it comes to Orange amps, their reputation is pretty grand. Craziness.1.8 Conclusion How good is the Crush Pro CR120H from Orange Amps? I love the fact that I got it new for the price of two or three pedals and it has this much to offer. There's a lot of range with a deceptively simple set of controls. Just a great sounding, straight forward, and versatile amp. I play all sorts of different things and this amp fits really well. Lots of youtube videos show its versatility (Dave Simpson!) and I've found the same. It doesn't really feel the same as tubes, per se, but it doesn't feel as rigid in its response as so many other solid state amps. It feels great under the fingers, and has a "give" that I typically associate with tubes, rather than solid state. I do not feel like I am missing anything due to it being solid state. I feel like it augments the collection well. It still shakes things up at "2" on the master volume).įWIW, it's sitting under a Mesa MarkIV and next to a Vox AC15C1 with a Blue. I run it through a Mesa 23" open back 1x12 with a C90 in it (can't really crank it anyway, at the moment, so I should be safe until a 2x12 shows up. I picked one up last weekend and I am absolutely blown away by it. Here's a guy I follow on YouTube who regularly has very favorable demos of the CR120. I use the Crush Pro for performing bands. I use the Cube for jam sessions, recording demos direct, small shows where I'm helping filling in, church, etc. The Cube has some sweet blues tones for lower volume, the CR120 is a big amp with a big voicing.Ĭomparing the Blues Cube to the Crush Pro isn't necessarily appropriate. Rather, it can nail funk, blues, indie, rock, and even jazz.Ĭontrast that with the Cubes or even the Katana - I feel like I'm playing a modeling amp with those things. This thing certainly is not reserved for the garage metal band. The EQ is usable across the whole spectrum and so is the gain. You'd think the CR120 would shrill out as it gets louder, but it does just the opposite. Rather, they sound like two amps with a lot in common with some minor differences in voicing and the CR120 has more volume and gain on tap. It's not like one sounds boxy and shrill and the other sounds lush and articulate. How does it compare to TEWBS? Well, I still have my Dual Terror. I run it through a PPC 212 open back and the V30s make it shine. In an off chance, I tried a guitar in a shop through the CR120 and I was sold.and consequently, I sold the OR50 and started using the CR120 as my primary performing head with the Dual Terror to back it up. I needed a "muscle" head that could get a lot of volume for a heavy project that I do. Couple of years ago, I was the owner of an OR50 head and a Dual Terror.
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